Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, March 24, 2014

Strength in numbers


Saw this list in Writer's Write this morning, so thought I would share. Now, the distinction between female and male protagonists could be argued - these are defining traits for any strong protagonist. But if female leads are 10-11% but represent 50% of the population, we writers have some work to do. (And stop calling Jaina a bitch: but Blizz writers - give her some more of these please):

  1. She has a story goal that defines the narrative arc. She has to get possession of something, or relief from something. There have to be important consequences if she does not achieve her story goal. 
  1. She is flawed. She is not perfect, and her flaws could change the course of the story. She has to make choices, and she has to deal with the consequences of her choices. There is nothing more frustrating than reading a story where the protagonist fails to make choices. Even if this is how we behave in real life, we want our fictional heroes to be a better version of ourselves. We want them to take action. We want to them to go after what they want. Reactive characters are annoying and we perceive them as weak.
  1. She captures our attention. She has that special ‘something’ that captivates us as readers. A strong character has a personality trait that mesmerises readers. Readers want to believe they could be that character if they were put in that situation. They may even want to be that character. She could be brave, loyal, self-confident, intelligent, focused, charming, or compassionate. She should be able to engage our minds, win our hearts and get us to root for her until the end.
  1. She changes over the course of the story. She discovers her strengths and weaknesses. She surprises herself and she surprises us as she grows and learns. There should not be a sudden epiphany at the end of the story. We are not watching a Disney movie. Her change should be gradual and believable.
  1. She does not exist as a support for another character. Other characters exist to support her. Her supporting cast are there to help her achieve her story goal and complete the narrative arc of her story. The antagonist is there to thwart her, and to show her how strong or weak she is. Her love interest is there to distract her from her story goal, and to show us her insecurities and vulnerabilities. (Remember that a love interest is not necessarily a romantic interest.) Her friends are there to support her, and to show us who she really is, how strong she can be – even if she can’t see it.
  1. She has the ability to stand up to the antagonist. She is a strong character who is made stronger by her interaction with the antagonist. She has to have the intelligence, bravery, charisma, and will-power to make the story her own and come out on top at the end of the book.
CD Rogue spent his evening watching the Weeds series. I couldn't stand watching the main character, Nancy, played by Mary-Louise Parker. First of all Mary-Louise is a shitty actress, but the Nancy character -- in the words of CD Rogue - never changes. She is, in literary terms, a static character. When one watches a show like that back-to-back, you realize even if a female is in the lead, the world circles around her. She mostly just looks befuddled and confused all the time, a "Why is this happening to little ol' me?" victim look. Yuck. How much different and far more interesting would that series have been with someone funny and smart. And she's a really bad mom. (So says Judgy McJudgy Pants over here.)

My Azerothian characters - sheesh do they have their work cut out for them when Warlords comes out. So much testosterone! So much things-go-boom! So many big messes left for others to clean up! Booo! Oh well. Have more to say, but now I'm off to be the hero of my own story today…see you soon!

Wednesday, January 8, 2014

Mr. Snerguls, HALP!


Mistakes, errors, grammatical blunders (undistinguishable, Matty, not INDISTINGUISHABLE? For the love of Strunk & White!)
Mr. Snerguls, or Snergulllsss, or Snergggles, recently went on an ill-timed trip to Chicago to see some relatives in the Field Museum (okay, so they stuffed taxidermic displays of some relatives, but still,

FIELD TRIP! FIELD TRIP!
he showed me where the spell check button is, the little green check mark with the ABC icon, the little icon which at least picks up most grammatical typos, if not homophones. The other day I even typed "no" for "know." What the hell, Matty? Seriously? This is the one thing you're good at, or at least you tell yourself that, and yet you can't slow down enough, not hit the publish button long enough to read and edit thyself?


Poor Mr. Snerguls. He's in a deep-freeze, stuck at O'Hare airport: he wanted to help me during Flex raiding last night. Finally, FINALLY- "we" (aka I) got to Garrosh. For some reason, maybe it's my bad memory, our Tuesday Flex nights when I've been able to be there we (I) haven't gotten up to that point. Mataoka's gear is sub-par, her loot drop RNG luck as been as cold as a craps table during a Mid-Atlantic storm, and she just can't seem to get it together. Let me be clear: the guild and normal raid team (I'm not on it, but that's cool) has gotten through it just fine. Flex is for new players, etc., and those alts gearing up. On Garrosh, during the "sucked up into the yuck" I and another shaman died 3x in a row. I finally just ran under his skirts (Garrosh's, not the other shaman's) and survived. I let out a private cheer in my house. Small victories, small victories. My buddy Turk said some of my problem may have been due to a slow computer: I appreciate that but no, it's slow fingers and reflexes by the computer's operator (cough). We got him down to 1% twice, but of course, overwhelmed by the MC and other nonsense. But we'll get him (I hope) next Tuesday. I saved one of my coins for loot I need, and alas, gold and more gold. Oh, and really glad to know hunters got a 10% buff, cause you know, hunters were so weak and frail. (No one loves shamans. No. One.)

Oh, and it was CD Rogue's birthday last night too, so that's making me feel pretty good about myself, (insert sarcasm font), that I abandoned him for a date with Garrosh (who stood me up, the bastard), and a plate full of sugar-free chocolate cupcakes and homemade chicken pot-pie (seriously, if you have a box of Bisquick, cream of mushroom soup, chicken thighs and mixed frozen vegetables, everything is going to work out).

So, how did I end up with a mish-mash post such as this? These are all the things on my mind. I hate the story I started about the druid, am embarrassed I can't seem to get my grammar sharper, and I am redundant, and I can't kill Garrosh, and and and…is it wrong to eat a cupcake for breakfast?

I think I'll just go fly around on my pretty dragon and pretend I know what I'm doing.

Saturday, December 21, 2013

Dear Matty: So You Want to be a Writer Edition


One day, lad, all this will be yours!
What, the curtains?


I reside at #32 Cliche Cave

Dear Matty:
I started playing WoW about a year or so ago, and I love it. It has rekindled a long-time passion for fantasy, make-believe, and experiences I haven't felt since I was a little girl. It's funny, because when I was a little girl I pretended to be all kinds of things--but mostly the theme was "princess." Yes, I know it's not fashionable these days to only introduce little girls to 'princess-y' things, but in my imagination I was the start of the show. (I didn't like to be rescued all the time, but do some of the heroic acts myself.) Now, I get to interact in a role-play situation with real, live humans on the other end, and explore, be strong, and act out several different types of characters. I know there are a lot of blogs out there for World of Warcraft, and I think I could do a good job, too, of writing some stories about WoW. The hesitation I have, Matty, is that when I read some of the circular conversations about WoW and its players it gets a little tiresome, and I don't want to become just another nameless face. I just want to write stories and share some things about WoW with others, and hope they enjoy it. Do you have any advice for a WoW blogger?
Signed,
Pen-less in Pandaria

From Writer's Write

Dear Pen:
I don't blame you for being hesitant: when you read all the different opinions about writing, writers, viewpoints, and others defining what is being open-minded and what is not for us, or trying to, it's hard to know if we're coming or going in our own voices and convictions. And then you have goofballs like me who are constantly swimming in both directions of the tide, seeing many sides, and being as abstract as possible. Even lately writers I enjoy sometimes write things that make me go "huh?" but I just shrug and realize they're doing nothing different than what I want to do - explore an emotion, an opinion, or a situation. That is my only advice for you. All of us beg, borrow, steal, and give to one another, whether we are creative types or not. But here's my #6: we're all creative types. The thing is, unless we do have a variety of voices out there, how else can we begin to question, create, challenge ourselves? I am beginning, however, to understand more and more over time why John Irving believes we don't, or shouldn't, write autobiographies: we are boring: static characters and lives stagnate. I want to explore all kinds of characters, with several motivations. But more importantly, when others begin to call out that those in "charge" of creating say the 'emporer isn't wearing any clothes,' they shouldn't be lambasted either. Many in current media are using tired, formulaic responses, and they are in danger of losing audience. But you know what? Maybe this will spawn fresh voices, fresh insights. There is nothing wrong with classics such as the Hobbit to rely solely on the archetype of female characters being goddess/wise women, but perhaps this is a call for new writers to create other archetypes as we change and grow. Dare I say: evolve?

I got the whole princess thing figured out myself, Pen, and let me tell you that is why a new point-of-view like Shrek is so much fun, or when Colin Stokes talked about the Wizard of Oz in a different way than I had ever thought about: it truly is the grand conversation that is the joy, and the bane, of of the blogging world that is open to you. This doesn't mean that, for example, this past week I confessed to CD Rogue that the inner voice, that little tiny girl who used to play princess, too, just like you, didn't want some rescuing. I am not exaggerating when I say I had several dragons I had to slay on my own this week. The men in my world, young and old, all looked to me to do many hard and difficult things. But if any of the game designers were to tackle my own real-life plot line, it would bore people to death: MOM FIGHTS EVIL PRINCIPAL! Whack! Slam! MEETING TIME! WIFE takes care of SICK HUSBAND! Zoom! Whammo! Colleague gives CRAPPY SECRET SANTA GIFTS…and lives! Yeah, not so much, huh?

Now I could generalize and start to stress that male writers drift toward formulaic and angry stereotypes and archetypes. Grimmtooth's "sausage fest" analogy made me giggle. All I could see in my mind after reading his post was a band of merry sausages, armed with axes and mounts, trying to save the world. Onward, Bratwurst! Have at thee, Chorizo!


But the thing is, (and this is what kind of surprises me about my sweet blogger buddy Effraeti, and even Bear for that matter), is that I think they would agree that really GOOD writing naturally doesn't make the reader self-conscious about gender or stereotypes. Many deep, rich characters are portrayed, without a protest or second glance. I think of some of my favorite books, To Kill A Mockingbird, East of Eden, Harriet the Spy, Game of Thrones, Harry Potter, just about anything by Alice Hoffman, or John Updike, Neil Gaiman, etc., and not a single one of them relies solely on tropes or gender stereotypes. Not one. (This is not to say Game of Thrones isn't full of all KINDS of archetypes, it leaves no gender archetypal image unturned - true equality!) But somehow the game industry does: to me, this just show more immaturity than anything else, that it hasn't quite caught up with really substantive works. This was my own epiphany this morning: the more my own writing stagnates is when I depend on too much tried-and-true (read: cliche) plot lines. But that's just me. If I write something that makes me cry, or makes me laugh, then I'm somewhat satisfied. (But writers are never satisfied.)

Now, go back to #3 above: write what you want to read. If you want to write a certain way, we applaud you, and that's awesome. We say this all the time: write what you want to write. And if you don't get readers, that's okay, too. You don't need to pander, or subjugate yourself for anyone. As long as you know there may be consequences for your work, then please, please write. There is only one of you, and your point-of-view adds texture and richness, and there is room for all: see #2 and #6. Not so sure about #8. Let me know how it goes. I have to go write Christmas cards now: talk about tropes and cliches! Dios mio...

Matty

Friday, November 8, 2013

Chronicles of Glovebox Gnome: Postus interruptus

Yesterday morning before we ventured out to make the 15-hour journey from "washington???" to "wait no california," I had this post almost completed, and then blammo! Out the power/Internet. You know, because the wind blew.

Current status is we're in Santo Nella, California, still a few hours away.  Glovebox will be submitting his report later. Yes, we will miss 'big announcements' and yes, we missed WoW Insider parties last night, but from the Twitter streams, tweets went from sobriety to not. 
Australia counter-point? We Yanks would know far, far less: this geographer got it right.
Okay, so I mentioned previously the opportunity to meet one of my favorite bloggers presented itself, Akabeko of the Red Cow Rise blog fame. We met in a hip little vegetarian-themed cafe (the one place in the state of Washington that does not sell coffee: but she was impressed by my adept skill of blending ginger tea with lemonade from the self-serve fountain). We didn't have any formal interview questions for one another, but our conversation provided rich insights organically. It was interesting to note many shared experiences in terms of writing, including acceptance (or rejection) of our creative passions by past paramours.

Ultimately, the gifts of our meeting included:

1. Acknowledgement that those in our lives who do not support our creative endeavors, but seek to sabotage them, need to be jettisoned immediately;
2. I have found some new and willing writing partners with her and Dahakha. Wait. Let me rephrase. I have found my real blogging version of Mr. Snerguls. (She volunteered you, Dah. Thanks!)

This is really big news.

Now Navimie and I do a lot of shared writing in terms of idea swapping: her stories are perfection. Mine, often, are not. I publish too fast, and have many bad writing habits. I don't revise enough. I don't let things "percolate." I create unrealistic deadlines and impulsively hit the 'go' button. Akabeko has offered to read my sh*t before I hit the publish button. She and Dahakha have a keen editorial eye, and understand the process of story-crafting better than the average bear. It's like having my own personal, virtual writing workshop again, but with the added bonus of writers who understand this genre. I have often been reluctant to share my Azerothian-bent tales with others for fear of the cocked-eyebrow of judgy-mcjudge-ness.

We (Azerothian reporters, bloggers, writers) hold a Smaug's treasure trove of writing resources and inspiration. I've put together a list of just a few:
  • Blog Azeroth
  • Writer's Write (South Africa)
  • Update: this is where my post dropped yesterday morning: all my links and thoughts went with it,  and are at home on the home computer. Bottom line: read. Read more. Write everything down. Keep journals, scraps, napkins, notebooks, etc.
And find some good, objective friends ready and willing to read your stuff for errors, confusion, etc.

See things a different way

Sunday, January 13, 2013

Collective Creations...


I have been scribbling some collective nouns for Azeroth:

A Mortar of Death Knights
A Forage of Forsaken
A Grove of Druids
A Valor of Warriors
A Bakery of Mages
A Nirvana of Monks
A Mantra of Monks
A Lunar of Worgens
A Vault of Goblins
A Totem of Shamans
A Gloam of Warlocks
A Flagon of Dwarfs


There are more...I'm sure I wrote them down somewhere....

Friday, September 7, 2012

Freedom of Information: Headcanon

Oh, dang, I hope I have time to write all I wanted to write this morning.

First - I have to jot down this dream I had before I woke up. I was friends with a girl named Emily who moved to London to work in an office where her dad was CEO and she became engaged to a guy back in the states who was a farmer and he looked like Kip from Napolean Dynamite and he liked to date African-American women, but Emily was Caucasian and she was really getting to enjoy her life in London and I went there to see if I could talk her out of marrying Kip only because her life was becoming so amazing and life on the farm with Kip would be very limiting not to mention that he might end up having affairs because he didn't really love Emily and I had to use the restroom and there was only a tiny paper folded blind for the door that latch on the bottom with a brass eye-hook and it was right by the secretrary's desk so I got shy and just waited until I got to my own place and there were bars all around London and I couldn't find Emily but after I tried to use the restroom but couldn't I started a conversation with the secretary and she was looking at the wedding invitations for Emily and they were kind of large and ugly but we both made pleasant conversation until we were both honest and said how we both thought Emily was making a huge mistake and then I met up with Emily in the courtyard on a small berm where she was playing with her blue-eyed white kitten and then the secretary trotted by with a square-metric size of chocolate toffee bar and then the rugby team interupted us and then I woke up to the blaring alarm.

Emily: Don't Marry Kip

Did you see Navi's post the other day that is a blow-by-blow account of her day? It was awesome. The point of bringing it up is I would bet most of our days are like that too. If I am at work, however, I cannot do a single thing that has to do with WoW, or it turns out, read anything about WoW. In fact, I can't do much of any research on anything. I saw this post by Tzufit on a Blog Azeroth topic, which I missed, and then when I went to do more research on it at work, "headcannon," every single site was blocked. Everything: from Tumblr, to Reddit, to Yahoo Answers; anything that had a forum feed of any shape, pixel or size was/is blocked by my work environment. The most I could see was that 'headcannon' appears to be a new-ish term in the jargon of writing fiction. Is it, Tzufit? I would say "newish" because it seems to be specifically tied in with 20th and 21st centuries media. For those who know me, my bread-and-butter is information, and access to it, in all forms that are appropriate, so you are probably thinking to yourself, "Damn, I bet that pisses Matty right off," and you'd be right.

But okay, I'm at home now, about to go to work in a few, and I love this idea of headcannon. In fact, without knowing the term, I wrote this post back in July that I think answers most of the character's headcannon questions: Quirky Girls.

There are of course things I would add to their narratives, but first I must go save Emily from making a terrible mistake.

PS Urban Dictionary spells it "headcanon" with one n. Must do more research.

Saturday, June 16, 2012

Phantom Limb...

Momokawa reads her junk mail...
No, this is not another disturbing drabble.*

This is about something I sense, but cannot articulate. I am asking a few things:

1. Do any of you know of a word for this genre of writing I am attempting to describe?
2. If not, will you help me consider one?

Here is what got me thinking: (Easy there, haven't had my first cup of coffee yet....)

Erinys from Harpy's Nest posted this heartfelt story about one of her characters who had to let go of a beloved pet due to constrictions and abilities (or lack thereof) given to hunters.  It read like a tiny Where the Red Fern Grows or Old Yeller.

But--it was more heartbreaking in one aspect that--

Well, let me back up. The phenomenon of a phantom limb is when someone loses, well, a body part, and they still sense it. The nerve endings and muscle memory have set those grooves and pathways and it's still virtually there. I recently watched a fascinating TedTalk with Vilayanur Ramachandran on his research and help for patients who experience this. When we lose something that is a part of us, we still feel it. It's not magic, it's certainly not mojo, it's science. Okay, maybe a tiny bit of mojo. I'm sure Dr. Ramachandran would concede that.

So, talking with my trusty Cross-Dressing Rogue, he understood what I was asking.

Consider:

  • There are non-fiction: informational or expositional texts, that come in a multitude of genres/forms, everything from a menu to a biography, and personal anecdotal narratives (think of essayist David Sedaris and Sarah Vowell). 
  • There are fictional texts: fabricated texts, also a kaleidoscope of genres/forms, from fanfiction, pulp, graphic novels, novels, realistic fiction, science, etc. There are hundreds.


But what I am looking for is the cross-breed genre: when a personal, true anecdote of a fictional character, is told in game. Yes, it's role playing, yes, it's a bit of fanfiction, but if it really happened to Eriny's hunter character, and she cries real tears over the memory and loss, and --here is the important piece--it is not a story that triggers another memory but is the memory itself--what is that?

CDR understood what I was asking, and reminded me that there may not currently be a word to describe this genre of writing, since these virtual worlds are very young in our collective consciousness in a medium of narrative/story telling, it is something new.


However, I am not so vain to think I discovered this just because I am new to MMOs.

On a coincidental tangent, Hugh from MMO Melting pot tweeted the other day a thought about "What if..(paraphrasing) the images of sexy female figures was not so much a promise of of "sex sells," but perhaps an identity promise. I totally get that. From a writer's standpoint, I love that I can be some fantasy female in a virtual world, somewhat control this character's actions and reactions, and then wait for the surprise. Because the female characters I've created are visually appealing, and yes, even the Forsaken ones charm me, it's easy to get caught up in their non-stop strength, health, and vigor. They can take a punch and still look good. (I have another post in mind about how characters die--they flop, they yell, they sigh wistfully, they spin, they crumble -- all so interesting to me...)

So, my sweet and dear friends--what do you think? What could this genre be known as henceforth? If you know it, tell me.

MMO-ogrphies?

Auto-massive multi-ogriphies?

Virtual Veracity?

Okay. More coffee coming up.





*Although those are really fun to write. You have been warned.

Wednesday, June 6, 2012

"Letting the Paint Dry."

Had one of those rare evenings last night where CDR and I actually got to sit and talk, face-to-face, and not face-to-computer-to-face-to-computer. He said, in response to how I get annoyed with myself for posting stories, drabbles, etc. too quickly without following my best writing advice--let it percolate a bit before pressing "publish." He said as long as he's known me I have never been one to "let the paint dry," in my art, writing, or any understaking that requires patience or distance. It's not always a bad thing, he recognizes, but it is a "thing" I deal with. He, and my best friend since middle school, have both told me patience is my 'karmic wheel lesson.' I still say, "Quit burning daylight! Time's a-wastin'!"

So again -- if you see awkward phrasing, a typo, a bit of confusion, I have no one to bounce this stuff off of. I throw it out there, and know I have my (awesome, love you, sweet) readers, and you forgive many of my sins. Not sure if you're enabling or enduring me, perhaps a bit of both.

While I may never reach the level of the great, and recently late Ray Bradbury (see Effy's post on this too), remember that we all have a story to share, a perspective from our little trip in the kaleidoscope. Shake it up, and hold it up to the light.


Remember that nice Penelope who made sure Ceniza would win her dagger? She started a blog!
Check it out!
http://dollophead.blogspot.com/

Postscript:

Da-ammm:
Ceniza wanted to cheer everyone up...


Wednesday, March 21, 2012

Story Time: Pyramond & Theleste - for Bear




Pyramond and Theleste: A Tragedy in Three Acts
A Webtale Spun by Mataoka

The surprise of a spring snow left her angry. Plans going awry, and uncooperative nature displeased her. The raindrops held inner cores of frozen slush, making a statement every time one hit her skin, bare, taunted by the sun a few hours earlier. She would not miss their time together. She had waited too long, past the point of anticipation. They had an unbreakable appointment.

Act I

Their love started when they were children. Forced to live in a sanctuary that housed all kinds: enemies, drifters, thieves, nobility, farmers, and broken families, trying to escape the haunting tragedies of multiple wars, all races all sought the refuge of this place. Miles to the south lay waste of barren stadiums of former glorious battles, and to the north enclaves of factions and fanatics. And, in between, those survivors clawing at one another.
They were tiny children, with only a heavy stone-made wall between them, but worlds apart. She was of Highborn Elf ancestry, and his roots were far more simplistic. There were rumors of her uncles becoming demons and Naga amongst the neighbors, whispering and judgments against her family of which she had no control. Her grandfather maintained a shrine to Queen Azshara, which had never been darkened until they slit his treacherous throat, dousing the holy light with his blood. The Queen would have expected nothing less than this sacrifice.
Shrines to Azshara were not the sole paternal domain for Theleste’s family, although Theleste was named for her mother’s mother, who had lived as gentle soul, with druidic tendencies and natural healing abilities. Theleste’s mother Ingrainia regretted this choice enormously, but once a babe is named, so it stays. Ingrainia imagined herself to be of true nobility and stature, and any reminder that her line had fallen she took as insult from the gods, and sought to seek reclamation. Her daughter was her primary endeavor in this. Ingrainia herself wore dresses and robes in the Azsharian fashion, though most were ill fitting. She wanted a second life for Theleste, a chance at another Azsharian age…
She kept Theleste isolated from the other children in the sanctuary. This filthy refugee camp hosted the most notorious warlords and minor criminals, socialites and blackguards, including her unscrupulous husband. She had no other choice until she saved enough to move her sons and daughter back to Ashenvale, or better, Darnassus. Her husband was one of the most ruthless souls in the area, taking advantage of those less fortunate than himself at every turn. He kept his own council, and spent his time training his sons, Thalgor and Thilmus, in the arts of counterfeit and con artistry.
He was not quite as interested in leaving the area as his wife, but agreed with Ingrainia that Darnassus would be better suited to his image. He had heard someone say, ‘do not to soil your own bedding,’ and this made sense to him. Though he was very much alive, he felt as bitter and soulless as the legions of roaming spirits and banshees his ancestors had become, wandering lost amongst ruins, weaving through dark pines, and in pitiful halls of former grandeur. When he spoke to Theleste, which was rare, he would tell her tales of these Highborn Elves who had disobeyed their fathers and mothers, betrayed their Queen, and forever floated and screamed across the hills and woods. He meant to inspire a sense of revenge in her, but all these tales accomplished was fear.
As a tiny girl, in the nights, Theleste’s fears took hold. Cloaks on a chair become a volatile mutation, slithering over the latticework, crawling toward her in the shadows. She had never heard of a mutation monster before some of the orphaned Draenei children told her, about their scraping, humping way across green fields, spreading their diseases and filth. She would squeeze her eyes shut, counting to three before opening them again, hoping her small magic would make the monster disappear. Sometimes her spells worked, but sometimes they did not. Her magic never dispelled the fear of the banshees in her nightmares, bubbling out of moon shadows, reaching with their long, bony fingers grasping for her neck. She would wake up in tears, not daring to step foot on the floorboards.
This one night, she counted one, two, three, and when she opened her eyes, the monster was gone, and in its place a small kitten-soft golden light. At first she thought it might be moonlight from the small window toward the top of her bedroom. She cocooned and spun in her covers, searching its source. The light came from an opening made by a missing stone, a cat-and-mouse sized shaft, in the stone-mason wall in her room.
She slipper-footed out of bed, and whispered to the wall, “Are you awake, too?” so softly, so quietly, that only someone with ears her same size could have heard her. Pyramond, another elf child, heard her with his ears, the same size, also awake in a fearful night.
Pyramond lived with his older brother, a distracted youth, made angry and bitter by the death of their parents in one of the many battles. Their home had been burned to the ground, the smell of pine and felfire still clung to their cloaks, the few things besides the shirts on their backs, and lives, they escaped with. Each cloak had an antler-insignia cloak pin; it was the symbol for their family, a reminder of Malfurion’s grace and strength against Queen Azshara’s treachery. He had also managed to grab his mother’s silver and malachite hairpin, in the shape of Tyrande’s bow, and a few other items, but other than that, the two brothers were busy trying to survive in the hostile sanctuary. His brother often found himself scrambling to get out of one debt or another, and was familiar with the shady dealings of Thalgor and Thilmus.
When that little voice asked him, “Are you awake?” her words cast a spell of safety, like he had been cold all his life, and someone put a warm blanket around him. “It’s me, Pyramond. Who are you? Are you like me? An elf? Are you a girl?  Why are you awake?” Then Theleste sweetly giggled, relieved this was no screaming banshee or a cruel adult, telling her to be quiet, mind her own business, and leave him alone. This was a friend! For the next hour or so, they spoke in whispers to one another, afraid of being caught, and afraid of it ending too soon.
“I’m sleepy now, Pyramond,” she whispered.
“Wait, take this, and I’ll know you if I see you outside.” He slipped the hairpin in the missing stone in the wall, wanting her to have it. She could not tell him the chances of them meeting were impossibly small because her mother forbade her from talking with anyone outside of the family. She slipped the hairpin under her pillow, and later clipped it in the inside of her dresses from that night on, and kept it near her heart every day.
They spoke almost every night, but it was odd—they knew if they missed a night, it was because the other one was sleeping peacefully, and this gave them both comfort. If the singular torch was lit, the light would wake one of them up, a touch on the neck, a gentle nudge. A dream’s kiss.
Theleste’s sheltered world did not provide her with much to add to their conversations, and Pyramond’s daily escapades provided almost too much. But this made Theleste the perfect audience for Pyramond; she loved to listen to his stories of the streets outside her walls, beyond the marketplace and temples, to the forests and groves, the barren wastelands, filling the spaces between the wall. Pyramond had so much more freedom than she did. Time did not stop for them, and they grew, their love grew deeper. There was no time that they were not together or in each other’s thoughts, waking or dreaming. But time did not stop, indeed, and their bodies began to call for one another, too, in that secret, silent language that needs no human voice.
“What do you look like, Theleste?” he asked one night, a natural question.
“Oh, I am the usual elf girl, Pyry. Nothing special. There are other elf girls out there in the sanctuary, aren’t there? We all look the same.”
“Well, Thel, I don’t know about that. (He felt suddenly shy, and wanted to change the subject. Thinking about how Theleste might look had become a recent obsession for him. He imagined her constantly, what she looked like, how it would feel to hold her. If she was anything like her voice…“Yes, there are a few elf girls around, and there were many back at home, but I’ll tell you what they do have a lot of around here…ewes! I mean, where are the rams? The boy sheep, I mean? How are the girl sheep ever going to be happy and have babies if there are no boy sheep?” Theleste blushed and laughed.
The next week, Pyry found a gnomish artisan, a glassblower by trade. The gnome, Chukhili, was completely out of place in this area, having his own issues of exile. Those with greater engineering and technological skills replaced his talents, and he couldn’t find satisfactory work with his own kind. His genius lie in his technique to create the most delicate and realistic glass sculptures, and artists were not welcome among gnomes, at least not artists that created objects that made no beep or bang, or served no purpose. But Chukhili also had a gambling problem, and Pyry’s brother was more than happy to separate the gnome from his gold in games of cards and dice. The poor little soul had no luck at all, and the gnome owed them some gold. He had already pawned most of his old engineering tools, but still had his other business for the professional vendors in town, making crystal vases for the alchemists. Pyry knew his brother would be furious with him, but he asked Chukhili to create a miniature glass ram for Theleste. The ram was no bigger than a goblin’s thumb, and Chukhili added his signature to it, a bee-kiss sized daisy imprint. “Why the daisy, Chukhili?” Chukhili shrugged. “Reminds me of a girl I knew,” and left it at that.
When they met, in the night, light through the chinks, Pyry slid the tiny glass figure through the wall, in a space the mason forgot to measure well. (The rooms were made for the poor, after all, not a king’s palace, so why not cut a corner or two? Whom would it hurt?) “Here’s a boy sheep for you, Theleste. I should say, ewe, e-w-e! I hope you like it.”
The ram was perfection—masculine, tough, strong, and made a tad gentler with the daisy on its neck, tucked under its horns. Theleste loved it, and dug out a small chest her grandmother had left for her to keep it safe.
Over the weeks and months, he proceeded to give her glass replicas of every critter of Azeroth: squirrels, rabbits, crabs, penguins, hares, ewes, skunks, toads, turkeys, frogs, and her favorite, a frisky marmot. He started a tradition that every time he gave her one, he made up a sweet story about it. The ram was still her favorite, but the story about the squirrel and his nuts made her giggle, but she wasn’t totally sure why. Over the months and moons, seasons and circles, she had a menagerie of animals, her own personal glass zoo, kept in her secret chest.
But some nights, there was no light, but she knew he was there. One object his brother had managed to save from the fires was a delicate music box of their mother’s. If Theleste heard its mournful tune she knew to not disturb Pyry. The first time she heard it, one moonless night, she heard him crying, and he asked her to please leave him alone. Just for that night. And she learned if she heard that music, he was in his sad, broken-hearted place, before the fires burned, when a cool hand swiped hair from a fevered forehead, when the only comfort he wanted was a mother’s hug, and a mother’s smile. It was for a life that was past and gone, and tears for a life and a future he could not master. Fate was in control.

Act II—

She had come of age. Theleste’s mother arranged, at no small cost, between her husband’s business associate and a matchmaker, an appointment for a suitor, a quite suitable suitor. He was from one of the local Highborn families from a distant second sanctuary. (To call it a sanctuary was a misnomer, for this area was far too posh and elegant to be considered a refugee camp. (Although, not all would be as it would seem. Though there were ordinances trying to prevent these things, gnomes still hung wash out to dry on exposed laundry lines, and if one was to gaze outward from the exiled nobilities’ fortresses, one could spot striped undergarments blowing in the lavender breezes. There was an extensive underground cache, too, for the more unsavory types to conduct their business. In every place, it would seem, vice and greed find a home.)
The suitor sat in the drawing room, stiff and uncomfortable; prepared to marry whatever horse-faced elf girl his father commanded him to. The dowry price was fair, and he could still have all the consorts and mistresses he desired. Gold and sex, all a man could want. The mother’s small talk was insufferable: when they married, he would keep the girl far away from this place, and that horrible mother.
And then Theleste entered the room.
She was as pale and deep as milky moonlight. Her long hair translucent, thick, and almost iridescent. Her pale robin’s egg blue eyes were as clear as a morning. She did not smile. He did not notice.
Theleste knew the purpose of this meeting. She was to be married and moved, a stepping-stone for her family, with their heels on her head. If she took a misstep, or maneuvered incorrectly, their entire social future would be shattered. This was the son of a very dangerous man, and she was to be his wife, kept and carried. Forever and ever.
Her brothers joined them, laughing and comfortably joking with the potential groom. Some of their jests were insulting to their sister, crude, but their mother ignored them and did not publicly scold them. If anything, she seemed included in the jokes about wedding night conquests and popping of blossoms. Vain Ingrainia savored the attention.
He seemed pleased with her, from what she could tell. She didn’t really care. His smug arrogance was familiar to her, for it was her father and brothers’ manner, too. But as she sat there, she squelched the inner voice, the welling of a scene in her mind, of the shadows in the night, the cloaks turning to monsters, and crawling toward her, hands to her throat, choking and trapping her. She remained poised and calm, and mentally counted the tiny glass animals. The little daisies each one had made them so unique, and she began to rotate the thought, “he loves me, he loves me not,” over and again.
She began to question her friendship with Pyry: was it real? It was hidden in front of everyone’s eyes, like a shooting star that goes across the entire, magnificent night sky, the whole half a world could witness if it would just look up, but yet, only has one earthly witness to its glory. She felt that way about her friendship, and love, for Pyry. Enough. The time had come to see him, and to hold him.
She wasn’t going to allow the monster to eat her.
Over the ticking minutes her thoughts ceased to float of curiosity. She demanded, and her young woman’s body, demanded physical contact. No more words. Theleste gave less attention to the imaginings of what happened behind the wall. She wanted to see him, and when she thought about him, there was no more room for vacuous feelings, the longings she dismissed as part of growing into a young lady: these questions that had answers, and she knew where to ask.
She heard the music that night, but ignored it.
“Pyry, I know you’re there. I know you’re sad. Talk to me, please, please.” She spoke the last word between notes.
“I saw him go to your house today, and I know why he was there, Theleste. When were you going to tell me?”
“When I knew it was real. But Pyry, enough. Let’s run away, I want to see you, and spend at least one perfect night with you. Let’s just…meet. Please.”
So they did. That simple. He gave her a vial of potion of illusions, and she snuck near her brothers’ room, when they were snoring off a drunk, and drank it. She immediately mimicked Thalgor, down to his unshaven face and carefully coiffed hair. She ran out of the house to meet Pyramond at their pre-chosen location, under the third tree to the right of the blacksmith’s.
It had been almost snowing earlier, but the weather had changed to warm. The threat of cold snow angered her; she had waited too long for the gods to spoil it now.
As soon as she saw him her disguise melted away in an effluvium cloud. Pyramond could not breathe when he saw her. She was truly beautiful. Untouched, pure joy radiated from her smile, all for him. She had played out this moment so many nights, and her heart was not disappointed. It beat in her breasts to the music of the moment.
His hand went to her face.
He bent down.
He pulled her face to his.
He kissed her.
And he was speechless.
When they regained some of their senses, he pulled out a pomegranate his brother had brought back with him from one of his trade journeys. He thought this would be a perfect treat to share with her.
He tore open the pomegranate, handing her half. She bit in the thick nectar seeds causing a burgundy delta of juicy rivers flowing toward her elbows; she licked them before they dripped onto her dress while laughing, behaving like an embarrassed flirt. The fruit juices would indelibly stain her robes. But the flavor—tart, sweet, unforgettable, was worth it. The spring night changed its mind again, and when the snowflakes that had angered her earlier, now she did not notice the cold.
The dawn began to fight the night for power, and was winning. They slipped home, going separate routes, unseen mostly, back to their homes. She went in the servants’ entrance, and he through his front door.
They met the next night, with her disguised as her second brother, Thilmus.
But the third day met with the delivery of a slender silver scroll case, no bigger than a bat-wing bone, but its strength was unnatural to its alchemy and content. It was a message from the suitor, naming a date and place for their wedding. It was more of a command than request. Theleste sucked in her breath, and it took all of her inner strength to stay calm. She wore a mask of resignation. She knew she would never marry the Highborn, for she and Pyry had made plans to escape, to marry and run away to one of the new colonies. He had saved for the transport out, through one of his brother’s dealings, including a roundabout deal with Theleste’s brothers and one of their bodyguards, an ogre named Gobjobbe. Thilmus and Thalgor caught wind that their next-door neighbor, Pyramond’s brother, had cheated them. They would take care of this through Gobjobbe. Nothing personal. They just had a message to deliver.

Act III—

Her mother set right to work: Theleste’s wedding was planned the next morning. When the household was asleep, finally, after the preparations had been made and the servants harried to exhaustion in the packing and care of Theleste’s trousseau, she knocked on the wall, three times. He tried to slip the potion of illusions vial through the hole in the wall, but the crystal vial slightly cracked. She drank the potion, and by her proximity to him, appeared just as Pyramond did, every detail, from his face, to his cloak with the antler-insignia cloak pin, recognized around the area as one of the “ Night Brothers,” but not Theleste’s brothers. Pyramond and his brother were considered more honorable, at least as thieves go. But there were unkind eyes looking for Pyramond.
He slipped out and waited at their usual spot. Their transport, a washed-up mage who slept in the abandoned tunnels would take them wherever they had the gold to go. He had a good heart, and was a soft one for young lovers, rousing himself out of his drunken stupor just long enough to help them. On his way to the meeting location for portal magic, one of his former mage colleagues spotted him and offered to buy him a pint on his way, for old time’s sake. He couldn’t refuse. He was feeling a bit parched.
Theleste felt disoriented meeting Pyramond, and frightened a little. She knew it was the right thing to do, the only thing she could do, to be with him. In their futures, never would come a day when they could stop running, or stop looking around corners, though, for she knew, and he knew, her family would not rest until they got her back. They were both forsaken.
She spun around a dark corner, and there swayed Gobjobbe. His gelatinous belly shook, his stained and oily loincloth barely covering his shriveled genitals, and he just stood there laughing. “Hey, little brother, your big brother owes us. How about you pay his debt for old Gob?” and he quickly grabbed Theleste’s arm, and with a stolen dagger, sliced open her veins the long way, with streams of red blood lacing her hands. The potion of illusion faded, she looked at Gob with her last sight, and folded to her knees. The tiny chest of glass animals fell out of her bags, crashing to the dirt, ground to splintery shards.
Gobjobbe realized this was no cutpurse who owed his bosses gold, but someone of high birth, and for killing her; there would be no mercy. In his panic, he dragged her body near the blacksmith shop by the pub, and ran, leaving a trail of blood. A witness, a young elf male, went unnoticed by Gobjobbe. Pyramond wondered why an ogre was running so fast in the darkened paths, looking like a ghost was chasing him.
The mage remembered he had a promise to keep, for young lovers and all, and stumbled out of the pub. He went to the tree by the blacksmith shop, and found a young Pyramond alone, nervous. “I, I am not sure why she’s not here, she’s late, she, please help me look for her…” The mage and Pyry took a few steps, went round the corner, and found her, where the ogre had dragged her, hidden behind a small outcropping of rocks.
Pyramond scooped her up, and held her as if she was one with him. He didn’t cry, or scream. He asked the mage to port them to Ashenvale. The mage wasn’t sure if he should get involved with this sad, deadly business, and he wasn’t sure if he could port a dead body. Something in the mage’s intelligent, curious mind sparked, however, and he thought of it as an experiment, and created the portal.
Pyramond and Theleste never arrived in Ashenvale. The act of porting with a corpse did indeed work, but not as imagined. It took Pyramond’s life, too, and their bodies were found in Desolace months later, mere bones by this point, intertwined and together. Sand and dust blew over the layers of the lovers, and all was lost. Forever and ever.



Writer’s Note: A few weeks ago, when I started to get into archeology, the Pyramond & Theleste story intrigued me. I knew immediately it was an allusion to Pyramus and Thisbe, an ancient Greek tale I am/was very familiar with, and the inspiration for Romeo & Juliet. I looked up this website months ago, to see what else I could discover, and realized, I could write my own version.

I have renewed my creative license, and didn’t stick to the lore provided or clues, but created my own. (In fact, I just pulled everything out of my head.) I didn’t do any more research before drafting this story, I only attempted three goals: 1. Use all of Bear’s words; 2. Incorporate all of the objects from the achievement and 3. Keep true to the nature of tragedy and good-old fashioned star-crossed lovers.

Thisbe by John Waterhouse
But—has my writing buddies say, “Writing is never finished. It’s only due.”*I would like to offer this challenge, to myself, I guess, and take the inscriptions on the items of Pyramond and Theleste and weave a story based on those. And as Guarf suggested...forsaken? Is there more to the story? 

Hmmm..perhaps. 

*I even own a T-shirt that says this. Word.
















Words:
juicy
slender
vain
shaft
torch
star
hidden

Artifacts:
Delicate Music Box
Hairpin of Silver and Malachite
Cracked Crystal Vial
Cloak Clasp with Antlers
Chest of Tiny Glass Animals
Silver Scroll Case

Friday, March 9, 2012

Yes, thank you.

This e-mail went out from a beloved colleague this morning. I have redacted to protect anonymity:
I adore this woman. I hope you all forgive me, too, when I have a typo (or two).

Sunday, November 6, 2011

Effing Catalina Wine Mixer.

This is my last post about Blizzcon--I realize it's long past yesterday's news, but I needed to round out a few thoughts. It wasn't quite what I thought or wanted it to be, and I have a wish for next year.

Next year: I am pretty sure I will be there again. As my cross-dressing rogue says, I may be over WoW very soon, that it's been a phase. (Doubtful, but perhaps.) In some ways, he's right: I do tend to immerse myself in whatever I am doing at the time: if it's jewelry making, I make enough earrings and necklaces to startle a queen's treasures; knitting has given me enough 12' scarfs to wrap the necks of a menagerie of laryngitis-suffering giraffes; if it's gardening, weeds fear me, and hummingbirds kiss my cheeks. (Curb appeal is overrated now, in my opinion.) If it's gaining technological prowess, or reading, or even cleaning out a closet or junk drawer, I can attack it like it's a hot dog and I'm Kobayashi. The label "workaholic" as been applied to me many times.

But there is one thing I have done since I was a little girl, which I don't see myself stopping anytime soon, is writing.

Which leads me to my wish for next year's Blizzcon: I saw a post by Lisa Poisso from WoW Insider a few weeks before the convention requesting ideas for the event. I suggested in an e-mail that a means of getting the fan fiction/bloggers together would really interest me. As we got closer to the event, it's completely understandable that coordinating something like this would be a Herculean effort at minimum. She was exceedingly gracious in every correspondence, and gained my respect and admiration. And, to be fair, I wish I had gotten over some of my own shyness (yes, I can be shy--) I wish I had sent the bloggers and writers I admire most a tweet or comment asking them if they would be at Blizzcon and if we could meet. As it was, I ended up resentfully standing in lines looking over limited merchandise. The highlights were being a panda for a few minutes, playing the barbarian for a taste, and of course, shyly, yes...shyly, asking the draenei brewfest lady, er, gent, er, lady if I could have a picture with them. (Since I am protective of my somewhat secret identity, I cropped myself out.)

But what I really wanted was was to meet other writers, such as Vidyala of Manalicious, the authors of Sacred Duty,  Anexxia of Bible of Dreams, and pretty much anyone on my list of blogs. I know Lyrandre@Ilikebubbles entertains and delights us all. We <3 Bubbles. I can't even begin to list them all.

What kind of event could the fan fiction writers and bloggers have? Would we just sit around on laptops writing posts? After the show, I read tweets and posts that revealed that many of my favorite WoW bloggers were indeed at Blizzcon, typing and posting away about the news and events of the show. I am envious of this. I was not in a position to be one of those live bloggers, and had other things to attend to (like standing in line for a free paladin-in-a-bubble). I must say though, from my perspective as a first-time attendee, for me it was disappointing. I felt that the "real" meaningful discussions and conversations were going on somewhere else, in the shadows, cliques, and groups from which I could not or did not have access. I just wanted to meet other writers, that's all, shake hands with the wordsmiths of WoW. I wanted the effing Catalina Wine Mixer.

This is where I get dorky: I am a fellow of the National Writing Project--I really love to write, and I am sure somewhere in the bookkeeping department of the university there is a past-due tuition bill with my name on it. (I love to write, but don't love to write checks.) The beauty of NWP is the way adults who love to write, write. We get together, read our writing, critic, probe, question, and make each other better. I am not sure what sort of meeting I envisioned at Blizzcon with fellow writers--probably not a writing session, but at least to meet one another and say "I dig your sh*t..." Perhaps I speak for myself only, but myself as a writer does have a tiny bit of "Do you like it?" always lurking inside my creative self. Writers do write for themselves, first and foremost, but....nothing beats a shared story. If a blogger falls in the forest, and no one hears it...?

November is National Novel Writing Month. Better get busy.

So, my writing colleagues, peers, friends, fans, and critics- what do you say? Next year let's get together, talk and share our writing, and have a beer or two? First round is on me.


Catalina Wine Mixer - make bank, bro.